Bhangra

BHANGRA DANCE
Bhangra dance is based on music from a Punjabi folk drum, folk singing, a single-stringed instrument called the iktar, the tumbi and the chimta. The accompanying songs are smallcouplets written in the Punjabi language called bolis. In Punjabi folk music, the dhol's smaller cousin, the dholki, was nearly always used to provide the main beat. Nowadays, the dhol is used more frequently. Additional percussion, including tabla, is less frequently used in bhangra as a solo instrument but is sometimes used to accompany the dhol and dholki. This rhythm serves as a common thread that allows for easy commingling between Punjabi folk and reggae, as demonstrated by such artists as the UK's Apache Indian

Bhangra has developed as a combination of dances from different parts of the Punjab region. The term Bhangra now refers to several kinds of dances and arts, including Jhumar, Luddi, Giddha, Julli, Daankara, Dhamal, Saami, Kikli, and Gatka.

• Jhumar, originally from Sandalbar, Punjab, comprises an important part of Punjab folk heritage. It is a graceful dance, based on a specific Jhumar rhythm. Dancers circle around a drum player while singing a soft chorus.
• A person performing the Luddi dance places one hand behind his head and the other in front of his face, while swaying his head and arms. He typically wears a plain loose shirt and sways in a snake-like manner. Like a Jhumar dancer, the Luddi dancer moves around a dhol player.
• Women have a different and much milder dance called Giddha. The dancers enact verses called bolis, representing a wide variety of subjects—everything from arguments with a sister-in-law to political affairs. The rhythm of the dance depends on the drums and the hand claps of the dancers.
• Daankara is a dance of celebration, typically performed at weddings. Two men, each holding colorful staves, dance around each other in a circle while tapping their sticks together in rhythm with the drums.
• Dancers also form a circle while performing Dhamal. They also hold their arms high, shake their shoulders and heads, and yell and scream. Dhamal is a true folk dance, representing the heart of bhangra.
• Women of the Sandalbar region traditionally are known for the Saami. The dancers dress in brightly colored kurtas and full flowing skirts called lehengas.
• Like Daankara, Kikli features pairs of dancers, this time women. The dancers cross their arms, hold each other's hands, and whirl around singing folk songs. Occasionally, four girls join hands to perform this dance.
• Gatka is a Punjabi Sikh martial art in which people use swords, sticks, or daggers. Historians believe that the sixth Sikh guru started the art of Gatka after the martyrdom of fifth guru, Guru Arjan Dev. Wherever there is a large Punjabi Sikh population, there will be Gatka participants, often including small children and adults. These participants usually perform Gatka on special Punjabi holidays.

In addition to these different dances, a bhangra performance typically contains many energetic stunts. The most popular stunt is called the moor, or peacock, in which a dancer sits on someone's shoulders, while another person hangs from his torso by his legs. Two-person towers, pyramids, and various spinning stunts are also popular.

Outfits

Traditional men wear a chaadra while doing bhangra. A chaadra is a piece of cloth wrapped around the waist. Men also wear a kurta, which is a long Indian-style shirt. In addition, men wear pagadi (also known as turbans) to cover their heads.

In modern times, men also wear turla, the fan attached to the pagadi. Colorful vests are worn above the kurta. Fumans (small balls attached to ropes) are worn on each arm.

Women wear a traditional Punjabi dress known as a salwar kameez, long baggy pants tight at the ankle (salwar) and a long colorful shirt (kameez). Women also wear chunnis, colorful pieces of cloth wrapped around the neck.

These items are all very colorful and vibrant, representing the rich rural colors of Punjab. Besides the above, the bhangra dress has different parts that are listed below in detail:

• Turla or torla, a fan-like adornment on the turban
• Pag (turban, a sign of pride/honor in Punjab). This is tied differently than the traditional turban one sees Sikhs wearing in the street. This turban has to be tied before each show.
• Kurta, similar to a silk shirt, with about four buttons, very loose with embroidered patterns
• Lungi or chadar, a loose loincloth tied around the dancer's waist, which is usually very decorated
• Jugi, a waistcoat with no buttons
• Rumāl, small "scarves" worn on the fingers. They look very elegant and are effective when the hands move during the course of bhangra performance.

MAULLAA-

he is disturbing character in ace.